Beautiful The Carole King Musical
Tracing the career of Carole King, and endorsed by the beloved Grammy winner herself, this inspiring true story about Carole King spans from her early days as a Brooklyn teenager struggling to enter the record business to her years spent as a chart-topping music legend and one of the most successful singer-songwriters in music history.
Before she was a star, Carole King was crafting chart-toppers for artists like The Shirelles, The Drifters, and Aretha Franklin—songs that defined a generation. As her personal life shifted, so did her voice, culminating in the groundbreaking “Tapestry” album and a sound all her own. With unforgettable hits like It’s Too Late, You’ve Got a Friend, So Far Away, and (You Make Me Feel Like) A Natural Woman, Beautiful is a moving, music-filled portrait of resilience, self-discovery, and the healing power of song. PG13*
Approximate Run Time: 2 Hours 30 Minutes
*Content Guide: Rated PG13 for Adult themes.
We encourage you to use your judgment based on your own research of the show, and your child’s age and maturity level.
PLEASE BE ADVISED – THIS PRODUCTION USES FLASHING LIGHTS AND THEATRICAL HAZE.
Customer Comments:
“The show was unbelievable! I have seen the show before including once on Broadway. This show would rank one of the best! The actors portraying The Drifters, Shirelles and especially the Righteous Brothers were spot on! And of course Carol , closed your eyes and you heard Tapestry all night long! Don’t miss this opportunity to get some real true stories of the Iconic Queen Carole King” – Samuel Pitkowsky
“We saw this show last night and LOVED it! It ranks as one of our top favorite shows we have seen at Dutch Apple. The lead actress is phenomenal!” – Pamela Albert
“Wonderful show! Highly recommend to anyone in the Lancaster area.” – Rachel Harvey Higgens
Review: BEAUTIFUL – THE CAROLE KING MUSICAL at Dutch Apple Dinner Theatre By Dan Marois, Broadway World in Maine and New Hampshire
There are some musicals where you know virtually every song before the curtain goes up. Beautiful – The Carole King Musical is one of them. I’ve seen the show twice before at the Ogunquit Playhouse in Maine, so I knew the story, knew the music and had a pretty good idea of what to expect when I arrived at Dutch Apple Dinner Theatre in Lancaster. What I didn’t know was how this cast would make the familiar story their own.
Breanna Lemerise answered that question almost immediately.
Lemerise is beyond compare as Carole King. Her voice doesn’t attempt to closely mimic King’s in the way some actresses I’ve seen in the role have done, but that hardly matters. She creates a Carole King who feels genuine and believable, and when she sits down at the piano, she becomes a force of nature. Lemerise is a vocal powerhouse and an impressive piano player, and there were several moments when I found myself watching her hands as much as listening to her voice.
That’s one of the pleasures of Beautiful. We aren’t just hearing a collection of familiar songs. We get to see where they came from.
The story follows King from her teenage years as an aspiring songwriter through her partnership with Gerry Goffin, their marriage and the eventual breakup of both their personal and professional relationship. Along the way, we discover that King and Goffin were responsible for far more of the songs we know than many of us probably realize.
Austin Wicke gives Goffin a particularly interesting dimension. He could easily be played as the husband who simply makes a series of bad choices, but Wicke gives us a troubled man wrestling with his own demons. His relationship with King is complicated, and Wicke lets us see the talent, frustration and personal problems that are all tangled together. His performance makes it easier to understand why King would remain connected to him even as their marriage was coming apart.
Then there is the other songwriting team—Cynthia Weil and Barry Mann.
Bridget Carrow is vibrant and engaging as Weil, and she has terrific chemistry with Cameron Nies, whose Barry Mann is more laid-back and understated. The contrast works. Carrow gives Weil plenty of personality without turning her into a caricature, while Nies provides an easygoing counterpoint. Nies also shows off his musical ability with strong vocals and guitar playing.
And then the songs start piling up.
“Will You Love Me Tomorrow,” “The Loco-Motion,” “Up on the Roof,” “One Fine Day,” “On Broadway,” “You’ve Lost That Lovin’ Feeling,” “It’s Too Late,” “(You Make Me Feel Like) A Natural Woman” and “Beautiful” are only some of the familiar numbers packed into the show.
The fun is realizing who wrote them.
That was one of my favorite things about seeing Beautiful the first time, and it still works. We watch King and Goffin create songs for other performers, while Weil and Mann are doing much the same thing. The songs become hits, but the people who wrote them remain largely behind the scenes.
Eventually, King realizes that she doesn’t have to remain behind the piano writing songs for somebody else to sing. She has a voice of her own.
That’s where Lemerise really takes over.
Her transition from songwriter to performer doesn’t feel like a sudden theatrical transformation. It feels like a woman finally realizing what she is capable of. By the time we reach the success of Tapestry, the journey feels earned.
There is also a lot to like about the supporting cast and the production’s ability to keep the show moving. Beautiful has plenty of music, but it doesn’t feel like a concert with a thin story attached. The songs are woven into the narrative, which is why the familiar numbers still have an impact even after you’ve heard them countless times. The performances by the Drifters, the Shirelles and the Righteous Brothers are spot on with this brilliant cast.
Of course, Dutch Apple is a dinner theater, so the evening begins with dinner.
Unfortunately, the buffet wasn’t nearly as memorable as the show.
I had visited Dutch Apple about two years ago and remembered the food being considerably better. This time, the salad bar was pretty unimaginative, and the potato salad was difficult to recognize as potato salad. The meatloaf tasted burnt and had more spice than I expected, although the chicken was good. The desserts were easily the best part of the buffet.
So, the dinner part of the dinner theater was disappointing. I simply expected something better. Fortunately, once the lights went down, the buffet became a distant memory.
I’ve seen Beautiful before, but that’s the nice thing about a show built around songs this familiar. Give me a good cast and I’ll happily hear them again. And if Breanna Lemerise is portraying King once again, I’ll be the first to buy tickets.
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